As writers we spend a lot of time in our heads. Thoughts form words that form phrases that we process in the mind and present to the page. Sometimes the stories in our heads represent our experience in the world, but at other times they are born of mental processes than our bodily knowledge. Neither is wrong or right, but the difference is worth acknowledging.
Moving Pieces‘ work is about finding the stories that reside in the body, and allowing them the space to breathe and be with freedom. Founder and director Charlie Blowers has a background in physical theatre and arts and somatic psychotherapy, and through her work explores the relationship between wellbeing and theatre. The goal of Charlie and co-director Jose is to support wellbeing and mental health as well as create theatre with a compelling narrative.
Their approach uses body based approaches emerging from neuroscience, many of which stabilise the nervous system and support self regulation. Through mask work, mindfulness, Feldenkrais method, storytelling and improvisation, participants are invited to bring their awareness to their experience, notice the subtle shifts in the body as it responds to its surroundings, and bring forth the stories that are held in the body. As Charlie explains, ‘sometimes our thoughts hold our body prisoner.’ Moving Pieces aim to liberate the body and the stories within. It’s an opportunity to process many of the feelings that often go unnoticed; or are pushed away so as not to notice them.
Through mask work I’m struck how much time we spend pretending to be someone else. Improvisation makes me reflect on the structures and ideas that stop us truly presenting ourselves to the world. Slow flowing movement is a welcome reprieve from the fast paced and frenetic pace of life.
Open to artists, mental health professionals, anyone with mental health challenges or those who simply want to explore personal story in a creative way, Moving Pieces offers a distinctive approach to exploring the body, building resilience and devising theatre.